The Finnish composer Magnus Lindberg (b. 1958) is one of the leading figures in the field of contemporary classical music. Curiously, despite the fascinating characteristics of Lindberg's works and the several interesting subjects his music brings up, his works have not been widely researched. This study, "Magnus Lindberg: Musical Gesture and Dramaturgy in Aura and the Symphonic Triptych," examines Lindberg's technical and aesthetic thinking by analyzing his significant works of the 1990s: Aura (1994) and the Symphonic Triptych, which includes Feria (1997), Cantigas (1997-99), and Parada (2001).
The main purpose of the study is to demonstrate the composer's construction of gesture and dramaturgy from the viewpoint of musical dramaturgy. The analyses focus on Lindberg's strategic design, which is called dramaturgical cohesion in narrative.
The Finnish composer Magnus Lindberg (b. 1958) is one of the leading figures in the field of contemporary classical music. Curiously, despite the fascinating characteristics of Lindberg's works and the several interesting subjects his music brings up, his works have not been widely researched. This study, "Magnus Lindberg: Musical Gesture and Dramaturgy in Aura and the Symphonic Triptych," examines Lindberg's technical and aesthetic thinking by analyzing his significant works of the 1990s: Aura (1994) and the Symphonic Triptych, which includes Feria (1997), Cantigas (1997-99), and Parada (2001).
The main purpose of the study is to demonstrate the composer's construction of gesture and dramaturgy from the viewpoint of musical dramaturgy. The analyses focus on Lindberg's strategic design, which is called dramaturgical cohesion in narrative.
